Tag Archives: Depth Dimension

The Truth Of Bishop Berkeley (Part 1) — With Green Bungee Cords Again

In a previous post on Bishop Berkeley’s claim that depth cannot be seen, The Truth Of Bishop Berkeley (Part 0), I argued that this claim does follow from Berkeley’s theory of Ideas, at least as I construed that theory in that post.  Here, I want to argue for something like Berkeley’s claim without appealing to any version of his problematic theory of Ideas.  The motivation for doing so is to capture within a Merleau-Pontyian framework what I think is the germ of truth in Berkeley’s claims regarding depth.  This germ is the claim that, at least in the case of the planes seen or imaginatively pictured end-wise to one’s gaze, there is no straightforward (so to speak) visual presentation of depth.

There is not visual presentation of depth, but, paradoxically, there is a visual experience of depth.  In this experience, depth is present as absent in much the same way that the hidden side of a physical object, say, the opaquely red plastic pencil sharpener on my desk, is visually present as absent.  The pencil sharpener, with both its exposed and its hidden sides, is seen within a three-dimensional visual field.  This visual three-dimensional field gets formed through a sensory-motor projection of depth which gets discussed in my The Concept Of The Ecstasis.  I will be much occupied with this projection and the presence-as-absence it makes possible in future posts.

In the process of uncovering the germ of truth in Berkeley’s claims regarding the invisibility of depth, I hope to deal a serious blow to Berkeley’s Theory of Ideas, and advance one step (my first step) in my project, my essay, my attempt to see whether one can transform George Berkeley, bit by bit, into Maurice Merleau-Ponty.

Let me advance the following thought experiment.  The aim of this experiment is to show that as an edge (for the sake of simplicity, let’s say it is the left edge) of an initially wholly-frontal plane moves away from you in depth, you see less and less of any given section of that plane, and, of course, of the plane as a whole.  That is to say, less and less of these get presented visually to you.  Starting from the initial situation in which you see all of the plane and each of its sections, you end up seeing none of these.  At first these get visually presented to you in their entirety; then nothing of them gets presented to you visually.

The Thought Experiment:  Suppose that an extremely, extremely, thin square of gold leaf foil is stretched out in front of you, parallel to your face and to the front of your body.  The thickness of this foil is 0.134 microns, or about 500 gold atoms.  Thinner than the wavelength of light, this is too thin to see.  So were the foil to be turned edge-wise to your eye, it would surely disappear.  Nothing of it would be presented to you visually.

With the mind’s eye, you divide the foil square into four equal sections from the top.  A darker rectangle runs down from, say, in the third section from the right and taking up about a quarter of that section.  (Don’t ask me how this section would be made darker.  This is a thought experiment; you can do what  you like with the gold leaf as long as what you do does not violate physical law too blatantly.  So just do it!  Make the section darker than the rest of the foil square.)

Now suppose that the foil square is steadily turning in such a way that its left edge is moving away from you.  At some point, the darker rectangle will, after first turning into a blur, eventually disappear.  For at some point you are seeing so little of the darker rectangle that your visual system can no longer obtain a clear view of it…and eventually cannot get any view of it at all.

To step out of the thought-experiment for the nonce and into a real experiment, you can try the following.  (Of course, I am sure the claims I made above are not controversial…still…it is always good to cover one’s bases as completely as they can.)  Take a bungee cord, like the polyester-green one shown below.  Taking a gel pen or some other suitable instrument, mark a line segment on it.  At first holding the cord parallel to the front of your body, steadily move the left edge away from you.  You will observe the dark line segment becoming, first, a blur, then disappearing altogether.



Back to the thought experiment.  The fact that you eventually saw so little of the darker section of the foil that it became a blur — and then saw nothing of it — strongly suggests that, as the foil was turning away from you, you were steadily seeing less and less of darker section.

Perceptual Constancy As A Fly In The Ointment (If I May Compare My Claims To Something Creamy and Oily, Such As An Ointment):   However, the phenomenon of perceptual constancy in general, and shape constancy in particular, prevents me from making this claim with absolute confidence.  For if this claim were true, the darker section would be steadily becoming thinner and thinner in the shape it looks to have.  But I have encountered theorists (I am looking at you, professor Suzanne Cunningham) who will deny this because they are prone to making extreme claims about shape constancy.  These theorists will deny that the darker rectangle is looking steadily thinner and thinner, just as they will deny that the two edges of U.S. 285, that absolutely straight road in New Mexico that goes on for mile after mile after mile after mile…these theorists will deny that the two edges of this road look to you to be converging at the horizon even while driving in the scene in New Mexico.  In the photograph, they will say, yes, the two edges converge.  When we project onto a 2-dimensional surface the very 3-dimensional Highway U.S. 285, then we get lines that actually converge.  But in the actual scene itself, one does not see (according to these theorists) lines that converge at the horizon.  Perceptual constancy ensures that we just see two lines in parallel:




So it is claimed.

The point of this rather extreme denialism is to block one argument for the sense datum theory.  (The edges of the physical road do not actually converge; nonetheless, lines are converging; a fortiori there are things that are converging; and these must be something mental, i.e., sense data.)  I do not want to dismiss this hard-line take on shape constancy outright, since I think that, in fact, there is a certain amount of truth to it, and I will be discussing shape constancy in particular and perceptual constancy in general in a later post.

Nonetheless, I will point out now that at some point you no longer see enough of the darker rectangle to see it in a non-blurry fashion, and very soon thereafter, as the foil square turns away from you, you see nothing of the darker rectangle at all.  Were the extreme version of perceptual constancy mentioned above correct, this change from clear and distinct to blurry then invisible would have to be sudden and abrupt, something that strikes me as highly implausible.  Nonetheless, gradual or sudden, the change does occur at some point.

Then, when the foil square is completely edge-wise to your eye, you no longer see it at all.  It has disappeared.  There is no longer a visual presentation to you of the square of extremely, extremely thin gold foil.

As long as the foil was at a sufficient slant to you, there was a visual presentation of it in depth.  There was a visual presentation of depth at a slant.  But when the slant became too extreme, that visual presentation became a mere blur; and when the foil came to be completely edgewise to your eye, that visual presentation to you ceased to exist altogether.

A plane can be seen in depth only when it exists in depth at a slant.  By ‘plane’ I mean a physical surface whose thickness is too small to count and therefore can be abstracted away.  There is no visual presentation of such a plane in depth when that plane is situated completely edgewise to the eye.  If there is a steady diminishment in how much of the plane gets presented to you visually as it turns away from you in depth, as I think there is, then we can say that the more the plane is situated in depth relative to you, the less visible it is.  (Again, fuller argument to come later.)  The more depth, the less visibility (i.e., less gets presented to you visually).  When the plane is completely frontal to you, 100% of it gets presented (subject, of course, to the limitations of your visual system).  When the plane is completely in depth relative to you, 0% of it gets presented to you visually.

When the plane is situated at varying degrees of slant relative to you, then, to corresponding degrees less of the plane gets presented to you visually.  Or so I claim.  We will see whether, in the end, I can get away with this claim.

With these arguments/claims in mind, let’s modify the second paragraph of Berkeley’s A NEW THEORY OF VISION to make him say something like:

II.  It ought to be agreed by all, that Distance [of an object in depth], of it self and immediately, cannot be seen except when this is Distance at a slant.  For Distance being a Plane sufficiently thin as not to have a visible edge, it becomes invisible once it is directed end-wise to the Eye.


I think something like this was the content of the Aha Erlebnis I experienced some decades ago when I encountered Berkeley’s NEW THEORY OF VISION in that cottony-red book in my parents’ library.

So far I have been discussing just visual presentation, which will always include at least an element of receptivity/passivity.  The square of gold foil causally impinges on your physical body, and without this impingement you would not be enjoying/suffering the concrete visual presentation of the foil.  When the foil is situated at a slant to you, you have an experience of depth that includes this passive component.

But the experience of depth also includes an active element, which I would like to briefly discuss now.  This active element is projection.  One can imaginatively project the depth of the plane.  You can, for example, — or at least I can — visually imagine a point that is situated about half-way across the foil that exists edgewise to the eye.  In doing so, you posit, that is to say, place the point at that location.  (Interesting word, that is, ‘place’ — suggestive of a kinaesthetic action.)  The point can be pictured as a spot, say,  with some color (white, black, wine red, sea-glass green, burnt sienna, and so on) with just barely enough size to be visualized.  Or perhaps there need not be any visual image at all.  I might imaginatively feel, probe with the imagination’s finger, so to speak, the distance to what I think is the half-way point of the foil square, with the attendant sense that here is a point that could become large enough to be visualized, a potentially ‘visible’ point.  In other words, there is an easy translation from imagined feeling to imagined seeing.

I will be having much more to say about this imaginative projection in future posts.  In particular, I will be asserting that this imaginative projection is based on a more fundamental motor intentionality ala Merleau-Ponty.

The blur:  I noted above that, in the case of the bungee cord, one will eventually see a blur instead of the mark made by the gel pen, and, in the case of the foil square, a blur instead of the darker rectangular section.  This fact already creates trouble for Berkeley’s concept of a Minimum Visibile, and it becomes completely devastating to that notion when one brings into the picture empirical work attempting to define a threshold at which one becomes aware of a sensation.  And if the concept of a Minimum Visibile goes, then Berkeley’s whole notion of purely mental items called ‘Ideas’ that form the building blocks of our perception goes as well.

If you ever have had the extent of your visual field tested, you will have faced the following conundrum:  you are supposed to say ‘now’ when, keeping your eyes focussed at the center of the tester’s screen, a dot appears at the periphery.  At first, you say ‘now’ when a blur appears in the periphery — it will never be a distinct point with clear boundaries after all.  But did you wait too long?  After all, if you are at all like me, you had the distinct feeling something was there a moment before you said ‘now’.  Doubtlessly if you attended more to what you see (an attention distinguishable of course from the act of focussing your eyes on the point), maybe you would have discerned the point visually rather than merely having the feeling it was there.  You say ‘now’ again.  But did you really see the point at that moment?  Maybe you jumped the gun a bit.  And if you got it right, maybe it was by chance.  So doubtlessly the mapping of points onto the screen that define the limits of your visual field will be a bit irregular.  To get a true picture of the extent of your visual field, perhaps those points need to be averaged out to form a smoother mapping of the boundary.

The psychologists Weintraub and Walker describe this conundrum very well:

When thresholds [such as how close a point has to be to the center of the tester’s screen before it appears to you] are measured, no discrete threshold appears.  There is always a range of stimulus values — from stimuli so weak that detection is no better than chance, through values detected with increasing probability, to values that are always detected.  A ‘threshold’ is an arbitrarily selected value of the stimulus, such as the intensity of stimulation that is detected exactly 50% of the time.  This arbitrary value for the threshold will differ from subject to subject.  It will differ with minor differences in the conditions under which the measurements are taken.  It will differ with even minor differences in the nature of the response that the subject is asked to make, and it will differ widely between two different responses such as ‘accurate verbal report’ and a ‘significant GSR’ [galvanic skin reflex].

Weintraub and Walker, quoted in M.C. Dillon, MERLEAU-PONTY’S ONTOLOGY  (Northwestern University Press, Evanston, IL), pp. 60-61. Dillon takes the quote from Weintraub and Walker, PERCEPTION, (Brooks/Cole Pub. Co., Belmont, CA, 1966), p. 77.


The gel-pen inked line on the bungee cord should never have become blurry in the first place, since as it became “thinner” it should have simply disappeared the moment its size became less than that of a Minimum Visibile.  A Minimum Visibile is a binary affair with sharp boundaries; it is either on or off, distinctly there or not.  For how could it constitute a unit composing perceptual wholes along with other Minimal Visibles?  If their boundaries were fuzzy, would two Minimum Visibiles gradually merge into one another rather than functioning as distinct units?  And even were one to allow the blur, it seems unlikely, based on what Weintraub and Walker describe, that there is a consistent size threshold past which we can no longer say ‘yes, this line is still visible.’

Clearly, then, there are no Berkeleyian (or Humean) Minimum Visibiles that can function as unitary bricks set together to build up the visual field.  How can one build a brick wall when no brick has a fixed, determinate boundary?  (Perhaps we could call these fuzzy-boundaried bricks, subject to mere probabilities, ‘Schrödinger’s bricks’.)  Add to this the fact that anything perceived is always a figure against a background (the background can be in front of and around the figure as well as behind it) and therefore always existing in relation to a context determining what it is, it becomes blindingly obvious that the Theory of Ideas (aka Theory of Sense Data) is dead, dead, dead.1  Certainly any attempt to resurrect that theory without coming to grips with the opening chapter of Merleau-Ponty’s PHENOMENOLOGY OF PERCEPTION is scandalously irresponsible.  (I am looking at you, professor Arnold Vandernat.)

Just as I am quite confident that Bigfoot aka Sasquatch does not exist, I am confident that there are no mental tokens called ‘Ideas’ or ‘Sense Data’.

To sum up:  In this post, I have perhaps succeeded in recapturing the content of the Aha Erlebnis I had when I first encountered Berkeley’s argument that depth is not visible.  In the process, using an experiment with a green bungee cord, I have put ‘paid’ to Berkeley’s notion of a Minimum Visibile in particular and to his Theory of Ideas in general.  (This is perhaps the ten-thousandth time this notion has been conclusively refuted.)

Nonetheless, in future posts I will be indulging a certain affectionate tolerance for this notion when discussing Berkeley’s claims that sight and touch are thoroughly entangled with one another, and that depth is constituted by the tactile/kinaesthetic sense.  For I think Berkeley comes very close to the truth in making these claims.

NOTA BENE:  This is very much a work in progress.  I propose to complete this essay (‘essay’ in Montaigne’s sense of the word:  trial, attempt, experiment) by elucidating two notions:  1) the phenomenological concept, especially as employed by Alva Noë, of perceptual presence-as-absence (e.g., the hidden side of the Cafe Bustello coffee can), and 2) the concept of the ekstasis.

Perceptual Presence-As-Absence:  Just as we visually experience the currently hidden side of the coffee can even without an outright visual presentation of that side, we visually experience (pure) depth without enjoying an actual visual presentation of (pure) depth.  We visually experience pure depth as a visual presence-as-absence.  The visual field is three-dimensional — and this includes the hidden side of the coffee can.

The Ekstasis, As Explicated By A Certain Clifford Engle Wirt:  Not a presentation, (pure) visual depth is a projection.  This projection is to be explicated by the concept of a ‘position here’, which in turn is to be explicated primarily in terms of the tactile and the kinaesthetic.  Berkeley is quite correct in thinking of depth as to be elucidated in terms of the tactile.









1 Lawrence Hass is very good at demonstrating this point. See his MERLEAU-PONTY’S PHILOSOPHY (Indiana University Press, Bloomington and Indianapolis, 2008), pp. 28-34.









Given that the today’s post deals so intensively with that Irish Bishop, George Berkeley, it is only fitting that today’s homage to Plato’s SYMPOSIUM should be a red-head.  Plato himself I suspect would have been more acquainted with red-headed Thracians than with red-headed Hibernians.



I am very much into red-heads at the moment.

There is too much beauty walking the earth for anyone to get anything done.



January 16, 2016:  Changed ‘perpendicular to’ to ‘end-wise’ in the first paragraph. Janu

January 17, 2016:  Made some other minor changes in an attempt to hide my scandalous lack of control over the subject matter….er, I mean, in order to streamline the argument a bit.


The Truth Of Bishop Berkeley (Part 0)

Essay:  Noun:`
  1. a short literary composition on a particular theme or subject, usually in prose and generally analytic, speculative, or interpretative.
  2. an effort to perform or accomplish something; attempt.
  3. a tentative effort; trial; assay.
Essay:  Verb (used with object)

  1. to try; attempt.
  2. to put to the test; make trial of.


This Essay:  Transforming George Berkeley Into Maurice Merleau-Ponty

There is a not-completely inchoate notion lingering in my head that if we tweak this or that position held by that Irish Anglican Bishop George Berkeley ( 1685 – 1753 — about the same time Johann Sebastian Bach lived) — especially his positions regarding visual depth and the relation between vision, touch, and the motions of the body — we will end up with something like Merleau-Ponty ( (1908 – 1961).  The effect may be a bit like those step-by-step transformations of a picture of one celebrity into a picture of another celebrity.

I propose then a series of posts, starting with this one, which will be an essay — a trial, an attempt — to try to do just this.  (Change George Berkeley’s nose just a little bit, then lengthen the chin a notch, then….)  I will be putting my currently somewhat inchoate notion to the test, making a trial of it, to see if I can come up with genuine insight into Merleau-Ponty, or better, into the phenomena he was concerned with.

Clearly, Merleau-Ponty advances positions that directly contradict Berkeley’s.  But along with this opposition that makes Berkeley an excellent foil to Merleau-Ponty, there is, I think, a surprising degree to which Berkeley is on the same wavelength as Merleau-Ponty, with the consequence that Berkeley can illuminate Merleau-Ponty in a way other than just being a foil to him.1 Just as Merleau-Ponty recognizes a ‘truth of solipsism’, I think a Merleau-Pontyian might recognize a ‘truth of Berkeley’ — or at least a truth regarding Berkeley’s claims regarding depth which will illuminate our perceptual opening onto a world that is at once our “flesh” and not us.  In this opening, I claim, the perceived object is both immanent and transcendent . . . and this is my essay towards making sense of this.  Will I succeed?

Apart from illuminating some of the phenomena described and explicated by Merleau-Ponty, one of my sub-aims is to work through (in subsequent posts — not this one) the arguments of an article I published in a previous life (Cliff Engle Wirt, THE CONCEPT OF THE ECSTASIS,2 Journal of the British Society for Phenomenology, 14, 79–90, January 1983) in such a way as to make those more arguments more intuitive, or at least less absolutely repellent, to a certain person of my acquaintance . . . a person who is, I think, a bit too uncritically enamoured of a certain British Empiricist.  (No, not George Berkeley, but John Locke.  But never mind.)  This person would sometimes say things to the effect of “If what you were saying applied only to what’s inside the mind, I would consider it.”  So I want to see how far I can go in sticking to the framework of ‘just what is immanent to the mind.’  Then later, I will see what, if anything, I can make ‘transcendent’ of the mind — or, more precisely, of the body in its subjectivity.

The essay comprising all these posts may not be exactly short, but perhaps we can re-interpret ‘a short literary composition’ in the definition of ‘essay’ shown above to mean something like ‘less lengthy than Tolstoy’s WAR AND PEACE’.  In what follows, I will retain Berkeley’s not-quite-modern capitalization and spelling practices in my own text when the concept is Berkeley’s, or at least taken by me to be Berkeleyian.  (I won’t be attempting, however, to be absolutely precise or consistent in this endeavor.)


George Berkeley On The Visibility (Invisibility) Of Depth

Let me make a start in this (possibly dubious) endeavor by jumping into Berkeley’s assertions regarding the visibility (invisibility) of depth in his AN ESSAY TOWARDS A NEW THEORY OF VISION.  Berkeley’s claims regarding depth nicely motivate my claims about the ekstasis and the claims I make about the ekstasis would be less likely to freak out a dualist when made inside a Berkeleyian context.   Berkeley’s claims about the invisibility of depth are true in the real, non-Berkeleyian world only in special cases; nonetheless, this will still be enough to motivate my claims about the ekstasis.

Berkeley plunges into an argument that depth is invisible in the second paragraph of his AN ESSAY TOWARDS A NEW THEORY OF VISION. 

II.  It is, I think, agreed by all, that Distance [of an object in depth], of it self and immediately, cannot be seen.  For Distance being a Line directed end-wise to the Eye, it projects only one Point in the Fund of the Eye, which Point remains invariably the same, whether the Distance be longer or shorter.

George Berkeley, AN ESSAY TOWARDS A NEW THEORY OF VISION, paragraph II, in The GEORGE BERKELEY COLLECTION: 5 CLASSIC WORKS, Amazon Print-On-Demand Edition, no pagination.  Henceforth A NEW THEORY OF VISION. 


This passage produced in me a sudden Aha Erlebnis ages ago, when I first encountered it in a little cottony-red cloth-bound book my parents had bought in their college days in the 1940s.  I experienced a flash of intuition to the effect that no, depth cannot be seen.  The passage still produces this Aha Erlebnis in me even now, even though that Erlebnis very much resists getting cashed out analytically.  Something seems right about it.

Naturally, the passage is ambiguous and what, exactly, the argument is, is not completely clear.  Is Berkeley talking about Lines and Points in Euclidean geometry?  Is he talking (as he probably is) about Lines as rays of light bouncing off an Object and striking a spot or Point on the retina?  Is he talking about Visible Lines that can be Blue, Red, Green, Orange, Purple, Violet, or Burnt Sienna?  I will be going into a little bit more detail below about these three different interpretations of what ‘Line’ means in Berkeley’s paragraph II.

But for now I will just note that I follow George Pitcher, who surmises in his BERKELEY:  THE ARGUMENTS OF THE PHILOSOPHERS that Berkeley is talking about rays of light and the retina.  If so, Berkeley’s argument fails for essentially the reasons that Pitcher points out in Chapter II of his book (though naturally I don’t agree with everything Pitcher says).  Nor does any one of the other explicitly-stated arguments made by Berkeley that I have encountered so far work.

Nonetheless, I think it is possible to argue for Berkeley’s assertion that depth cannot be seen by relying on the Berkeleyian concept of a ‘Minimum Visibile’ and some other notions Berkeley holds about Ideas of Vision.  If these concepts are valid, Berkeley’s claim about depth does hold, regardless of the validity of his argument quoted above.  In future posts I will then use the Berkeleyian-world arguments and the real-world arguments to motivate the claims I make about the ekstasis.

As it happens, I don’t think Berkeley’s concepts are valid.  (Please — I am not completely nuts.)  Nonetheless, I will ignore this disagreement long enough to accomplish the task noted above, namely, making certain arguments that may seem to the dualist utterly wild outside the realm of Berkeleyian Minds filled with their Ideas.


Berkeley’s Visual Ideas:  A Minimalist Presentation

The subheading of course is a pun:  I am launching into a minimal presentation of Berkeley’s theory of Visual Ideas, and the basic unit of Berkeley’s Visual Ideas is itself a minimal presentation.

Infinitely Thin Slices Of Yellow Cheese:  Berkeley’s Visual Ideas are what we see.  They are the objects of sight.  For example, I see the moon.  The moon is the object of my vision. It is a Visual Idea.  Let’s call it the Visible Moon.

Visual Ideas have properties. For example, the visible Moon is “…a small, round, luminous Flat…” (Paragraph XLIV).  I do not doubt in the slightest that Berkeley would add ‘of a whitish or a beautiful pale yellow color not totally unlike certain cheeses” to the list of properties possessed by the visible Moon.

Although I may find myself contradicted as I read further in A NEW THEORY OF VISION and other works by Berkeley, I will go out on a limb and assert that for Berkeley, a Visibile Idea (or an Idea of any kind) can have only those properties that appear to one (get presented to one) in their Mind.  If an Idea has a property, that property gets presented to the Mind. In other words, I am wagering that for Berkeley there is nothing hidden in an Idea.  For how can something be before the Mind at the same time it is hidden from the Mind?  We are talking about Ideas, after all, which should be purely Intelligible.  There should be nothing hidden or obscure about them.

As a corollary to this, I will also wager that for Berkeley, if the Mind cannot tell two Ideas apart based on their properties, the Mind in fact has one, not two Ideas before it.  Nothing being hidden from the Mind in an Idea, the (putatively) distinct Ideas cannot differ by virtue of some property hidden from the Mind (such as the location of one Idea “behind” the other.  See below) .

The Ideas of Sight are individuated by their properties since the Mind tells them apart by their properties.  So what I call the ‘visible Moon’ is, actually, a set of different Visible Ideas going under the same verbal heading, ‘visible Moon’.  For were I to get right up close to the moon, what I see would be different, since it has different properties.  It would be, for example, much larger, taking up most or all of my visual field.  Doubtlessly its color would be different.  So what I see would be different.  It would be a different Object of Vision, a different Idea of Sight.  For if two things have different properties, they cannot be the identical Object, right?

The visible Moon (I mean the one I see now, as I am standing on the earth) does not exist outside my Mind.  It is immanent in my Mind.  For the visible Moon has a color, and colors exist only in the mind.  We cannot separate out even in thought Extension (for example, the width and height of the visible Moon) and Color:

Is not the Extension we see coloured, and is it possible for us, so much as in Thought, to separate and abstract Colour from Extension?



So if the visible Moon’s pale yellowish color is in my Mind, so are its width and height.  The visible Moon therefore exists only inside my mind, and not outside of it.  (Don’t worry, I am not hogging the sole visible Moon to myself.  You have another visible Moon in your mind.  This is just another case of a set of different Objects going under the same verbal heading, ‘visible Moon’.)

The ’round, luminous Plain’ that is the visible Moon, Berkeley says, is “of about thirty visible Points in Diameter” (A NEW THEORY OF VISION, paragraph XLIV).  A visible Point is the Minimum Visibile, i.e., that Object of Sight that is of a size just large enough to be seen.  Berkeley takes it to be self-evident that the Minimum Visibile cannot have parts:

…the Minimum Visibile having . . . been shewn not to have any Existence without the Mind of him who sees it, it follows there cannot be any Part of it that is not actually perceived, and therefore visible.  Now for any Object to contain several distinct visible Parts, and at the same time to be a Minimum Visibile, is a a manifest Contradiction.



Being simple, without parts, the Minimum Visibile cannot have structure.  It is merely a (barely) visible Point, with a kind of size (but with this notion of size some issues start to intrude which I will simply ignore for the moment — for at least as long as I am not absolutely forced to consider them), to be sure, but very little of that.


Arguments Using Berkeleyian Concepts

Enough of Berkeley’s Ideas of Vision for the moment, except for two last notes.  First note: above, I have been using ‘visual Idea, Visible Idea, Idea of Sight, Object of Vision, and Object of Sight interchangeably.  I will be continuing to do so.

Second note:  although Berkeley thinks of Ideas of Sight as themselves having colors, I myself share Daniel C. Dennett’s opinion that “…there are no sense-qualia, that is, no ‘inner figment[s] that could be colored in some special, subjective … sense.'”  (Dennett as quoted in Lawrence Hass, MERLEAU-PONTY’S PHILOSOPHY, Indiana University Press, 2008.)  And one wonderful milepost in my philosophical journey was James W. Cornman’s MATERIALISM AND SENSATIONS (Yale University Press, 1971), in which he uses the adverbial theory of perception to get rid of, for example, the blue of a blue afterimage, this blue standing in the way of his desire to identify the afterimage with a brain event.  But for now, I will be pretending that there are such critters as Berkeley’s Ideas of Sight that themselves have colors and (two-dimensional) shapes.

[Also discuss the fact that the notion of ‘size’ is a bit problematic if we don’t have a unit of measure for it — centimeters, inches, whatever.]

Depth Considered As A Line Ala Berkeley:  My arguments using Berkeleyian notions will start with how Berkeley explicitly conceives of depth in paragraph II of his A New THEORY OF VISION, i.e., as Distance considered as a Line extending from the Object seen to the retina one one’s eye.  (Until further notice, I will consider just one eye, as if we were Cyclopean creatures.)  Then I will turn to a conception of depth as a kind of funnel extending from the eye to the Object.

As I suggested above, there are several possible candidates — four, in fact, that I have uncovered so far — for what Line might be regarded as identical with depth considered as Distance.  It is not totally impossible, I suspect, that Berkeley is mushing all four candidates together.

Let me note at the start that the idea that a Line becomes invisible when it is completely end-wise to the eye suggests that it is visible when it is not completely end-wise to the eye — for example, when it extends horizontally in front of you.  Otherwise, what would be the point of showing that one special type of Line — the type comprising those Lines directed end-wise to the Fund of the Eye (i.e., the retina) — is invisible?  Why single out depth as if it were a special case?  Why not launch into a discussion of the claim that both breadth and depth are invisible?

First, the line could be a line in Euclidean geometry.  But these lines are invisible because they have no width or thickness, and Berkeley seems to be implicitly contrasting lines extended in breadth, which can be seen, and the non-visible line that is identical with breadth.  Breadth, i.e., a line in breadth, can be seen, he seems to imply, but depth, i.e., a line in depth, cannot.  If all Lines were invisible, there would seem to be little point in claiming that a Line visible to me because it lies horizontally before me would become invisible to you because it is directed end-wise to your eye.

Second, the line could be a light ray.  This is the interpretation that George Pitcher favors in his BERKELEY:  THE ARGUMENTS OF THE PHILOSOPHERS.  Berkeley’s topic is optics, after all, and apart from that, a light ray is what one would normally think of when talking about lines extending from the object and projecting a point onto the retina.  But I do have to wonder a bit if this is 100% of Berkeley’s meaning — for are not individual light rays traveling horizontally in front of you also invisible?  And isn’t Berkeley implying that lines in breadth are visible?  At any rate, Pitcher shows rather definitively that Berkeley’s argument will not work if the Line is considered to be a light ray.

Third, the line could be a Visible Line (and the Point he mentions in the passage above a Visible Point), such as the Blue Line and a Red Line that Berkeley says he can conceive as having been added together to form a larger line (A NEW THEORY OF VISION, paragraph CXXXI).  In addition to Berkeley’s Blue and Red Lines, I am about to introduce into the picture a Green Line.  But Line considered as a Visible Line does not fit with perfect cleanness into Berkeley’s passage above either, since it is hard to give a sense to the notion that such a Line could project a Point onto the retina, that is, extend from the Object into the eye and onto the Fund of the Eye.  Would not such a Line become invisible at some point beyond the cornea?

No, I do not intend to conduct a Buñuelesque experiment with a thin visible plus tangible wire — certainly not on my eye! — to determine at exactly which point the wire ceases to be visible and remains merely tangible as it penetrates the eye.  But bringing the wire into the picture introduces yet another candidate for Berkeley’s Line — this is the fourth possibility — i.e., a Tangible, as opposed to Visible Line.  The person already acquainted with Berkeley (perhaps more than I am at the time of this writing) will note that Berkeley makes a sharp distinction between the two — a Visible Line may be closely associated with, but is never identical with, a Tangible Line.  Visible Lines and Tangible Lines are always two different critters.  But this Tangible Line would always be invisible, even in breadth, so running afoul of what I take to be Berkeley’s implicit contrast between Lines in depth which are invisible vs Lines in breadth which are visible.

In Berkeley’s terms at least part of the Visible Line would suffer from a ‘failure to exist’ at some point past the cornea.  Yet Berkeley seems to imply that there is such a Line projecting a Point from the Object to the Fund of the Eye.  Therefore this Line cannot be a Visible Line.  So a Visible Line cannot be a candidate for what ‘Line’ means in Berkeley’s Paragraph II.

This of course already establishes part of Berkeley’s argument that depth considered as a Line is invisible, since the Visible Line cannot even be a candidate for the Line projecting a Point onto the retina that Berkeley says is depth.  But since it is still possible that such a Visible Line would be visible at, e.g. some point in front of the retina, it would not suffice to establish all that I suspect Berkeley thinks he has established regarding the invisibility of depth, that is, that depth is invisible tout court.  I will try to establish below some further considerations that, I claim, do establish this, given certain Berkeleyian notions.

To sum up:  while Line as light ray is doubtlessly the interpretation that fits Berkeley’s passage the best, the fact that not one of the four interpretations fits that passage with total cleanness heightens my aforementioned suspicion that all four may be at play — doubtlessly unconsciously — in Berkeley’s mind as he writes the passage.3  At any rate, I assert that an argument for Berkeley’s claim that depth is invisible can  be constructed based on Visible Lines, Minimum Visibles, and at least one conception of Berkeleyian Ideas (the one offered above).  This argument, I assert, does work — provided one grants Berkeleyian Minimal Visibles and the other items in the apparatus of (what I take to be) his Theory of Ideas.

Let me proceed then by introducing into the picture a Green Line  — in fact, not just a Green Line, but a bright chemical polyester Green Line.

Suppose I see a length of bright chemical polyester green bungee cord that my friend is now holding in front of me. In Berkeleyian terms, to see a length of the bungee cord is to see a succession of visible Points, an array of bright green Minimum Visibiles, one next to the other.  Nothing problematic about that.  (But notice that I suddenly shifted from ‘bright chemical polyester green’ to just ‘bright green’!  I hope to argue in a later post that ‘bright chemical polyester green’ as opposed to just ‘bright green’ requires a structure that the Minimum Visibile does not have.)  The Visual Idea of Length would then be a composite Idea comprising an array of Minimum Visibles.  This composite Visual Idea would have the property Length, and this property would appear to one, be visually presented to one, in their Mind.

By analogy, then, to see depth — to have an Idea of Sight of the Line extending endwise to the Eye, would be to see an array of Minimum Visibiles one behind the other.  This would have to be a composite Visual Idea which has the property depth, which property appears to one, gets presented to one in their Mind.  But of course the Minimum Visibles comprised by this Idea cannot have the property bright green!  Nor can these Minimum Visibiles have any other color … or at least any opaque color.   To see why, consider (per impossible) any given such Minimum Visibile.  That Minimum Visibile would be hiding the Minimum Visibile behind it.

Well, let’s consider a Minimum Visibile that is not opaque, but translucent or even transparent.  Consider the transparent Minimum Visibile first.  It cannot be completely transparent, for then it would be an invisible Object of Sight, a seen Object that is not seen.  This would obviously be a contradiction.  The Minimum Visibile would than have to have some property that would let us say that we see enough of it for it to indicate a plane in space — the plane ‘directly’ (more on this shortly) in front of the Minimum Visibile behind it.  Say, there is some sort of highlight of the sort that one might see on a (mainly) transparent sheet of cellophane or acrylic that indicates there is something occupying a particular spatial plane.  For the Visibile Minimum to have anything like this, it would have to have parts — a structure.  One part would have to be the highlight, and another part could have to be translucent somehow….not invisible.  (I will get to this translucency business in a moment.)  But we have seen that Berkeley’s Minimum Visibile cannot have parts.

Well then, let’s consider, not an (impossible) Minimum Visibile with a cellophane-like highlight, but a simply translucent one with no variation in color or light.  Let’s say it is a nice translucent light blue.  Behind it (per impossible I am sure) there is a minimal Visible of a darker blue luminously showing forth through the first Minimum Visibile.  But how would the color of the first, foremost light blue Minimum Visibile show itself to the Mind?  It must, given my postulation above that every property of a Berkeleyian Idea must present itself to the Mind, that in a Berkeleyian Idea nothing is hidden.  But as a Minimum Visibile, our light-blue Idea has no parts, such that one part could show the darker blue of the Object behind it, while another part would show its own light-blue color.  What gets presented is just the dark-blue color.  Because an Idea must present a property to the Mind if it is to have that property, the light blue idea I have postulated cannot exist.

Okay then, lets postulate a translucent “first and foremost” Idea that is the same hue of dark blue as the Idea it covers.  But since there is just one color-and-light property of luminous blue at this minimally visible point, the ‘first and foremost’ Idea cannot be distinguished by the Mind from the Idea behind it.  Moreover, the two Ideas have the same size (both being minimally visible) and the same shape (presumably round, since they are Points.)  This, I do believe, pretty much exhausts the arsenal of properties of Berkeleyian Visual Ideas that would serve to distinguish one from the other in the Mind.  The (putatively) two ideas differ in their locations, of course, but there does not seem to be any purely visual property that would enable the Mind to distinguish the two locations (one Idea with this color, luminosity, and shape on this plane; the other Idea with this other color, luminosity, or shape on the plane behind it) and get a handle on the different positions of the Ideas.  If the Berkeleyian Mind cannot distinguish (putatively) two different Ideas, those (putatively) distinct ideas are in fact one.  So in this case there is just one Idea of blue getting presented to my Mind.

So because there would have to be two Ideas were one Idea to show through behind another Idea, one Idea cannot show through another.  All Berkeleyian Ideas are opaque.  Any impression to the contrary, any apparent translucency, would have to be explained by something other than an Idea of Sight entering the picture (so to speak).  (Any takers for Ideas of Feeling and Kinaesthesia?)

Therefore, if one allows Berkeley’s notion of the Minimum Visibile, depth considered as a Line extending endwise to the Eye cannot be seen.  There is no such Object of Sight, no such visible Idea.  There cannot be a succession of Minimum Visibiles, one arrayed behind the other.  There can be only a single Point presented to one in their Mind.

This aligns nicely with the passage quoted above from A NEW THEORY OF VISION, in which Berkeley says:  “For Distance being a Line directed end-wise to the Eye, it projects only one Point in the Fund of the Eye, which Point remains invariably the same, whether the Distance be longer or shorter.”  Take the bright polyester chemical green bungee cord so that it extends end-wise towards the eye, mentally reduce that end to a single Minimum Visibile, and — voila!  One sees just that one Point, which will remain the same (abstracting away all perturbations of that Point) regardless of whether the Line behind it becomes shorter or longer accordingly as the bungee cord is stretched or allowed to relax.




Depth Considered As A Funnel:  Can we rescue the notion that there exist visual Ideas of depth if we no longer insist that depth be conceived of as a Line?  What if we thought of depth as a kind of funnel extending from the eye to the Object?  Any given Visual Idea that is in front of another one could then have the structure necessary for it to appear in front of the Visual Idea behind it, since, no longer being a Minimum Visibile, it can now have parts.  (Perhaps the behind-most Visible Idea could be a Minimum Visibile without parts.)

But this attempt to prevent the notion of a Visual Idea of depth from biting the dust fails once one asks themselves whether Visible Ideas can have a Minimum Thickness as well as a Minimum Diameter.  Since such a thickness could never appear (can one turn a Visible Idea around so as to see its side?), and since an Idea cannot have (I am assuming so far) any property that does not appear to one in their Mind, it would seem that the Minimum Visibile could not have a thickness.  (The Visible Moon in that regard would be like an infinitely thin slice of yellow cheese.)   In that case, it would, like a plane in geometry, have only two dimensions — height and width.  In spite of Berkeley’s hesitation (at least I am getting hints at such a hesitation as I go through A NEW THEORY OF VISION) to treat Ideas as objects in a Euclidean Geometry, I think he would be forced to do so at least in regard to the distance between a Visual Idea and any Visual Idea behind it.  Between any two such Visual Ideas there would have to be an infinite number of planes, since between any two points on a Euclidean line there are an infinite number of other points.  There would, then, have to be an infinity of Minimum Visibiles (differentiated somehow, say, by color?) stretching from the Object (say, the bright polyester chemical green bungee cord your friend is holding) you see to your Eye.  This would be so no matter how shallow the depth is.

But such a Line would be a Visible Line, i.e, a sensible Extension by hypothesis.  And Berkeley is sure that sensible Extension is not infinitely divisible:

For, whatever may be said of Extension in Abstract, it is certain sensible Extension is not infinitely Divisible.  There is a Minimum Tangibile, and a Minimum Visibile, beyond which Sense cannot perceive.  This every ones Experience will inform him.



Therefore, it would seem, Berkeley would have to reject that notion that there can be a succession or array of (non-minimal, i.e., composite) Visible Ideas lying one behind the other in a kind of funnel.

But maybe it could be objected that Berkeley’s argument that a sensible Extension cannot be infinitely divisible because it is a composition of Minimal Visibiles applies only to visible Lines in breadth, and only to finite minds.  The fact that (in Berkeley’s world) a Minimal Visibile would disappear should its breadth decrease prevents a sensible Line in breadth from becoming divided infinitely.  But no such consideration would hinder an infinite number of composite Ideas lying one behind the other for any intelligence that could perceive an infinite number of Ideas at the same time.   (For now I will leave the ‘at the same time’ part as an exercise for my ((probably)) non-existent reader; I really should get back to this at some point, though.)

It would seem that by the time he writes A TREATISE CONCERNING THE PRINCIPLES OF HUMAN KNOWLEDGE, he flat-out rejects that idea: “There is no such thing as an infinite number of parts contained in a finite quantity.” At the time of this writing (November 08, 2015), I do not know if Berkeley’s argument for this claim would fail to hold in the case of composite Visibile Ideas lying one behind the other.  So for now I will leave open the possibility that perhaps an infinite intelligence, i.e., God, could perceive depth visually.  But how odd that would be, since depth is always perceived from a particular finite perspective!  (More on this later, I promise.)

Anyhow, since us mere mortals, I assume, cannot perceive an infinite number of Ideas — certainly not at the same time! –, I think Berkeley has to reject the idea that depth could be visible to merely finite intelligences such as human beings as a kind of funnel composed of composite Ideas of Vision.


No Visible Idea Of Depth Considered Either As A Line Or As A Funnel:  To sum up, then:   there is no Visible Idea of depth considered as a Line because the Minimum Visibiles composing this line cannot have structure because they cannot have parts.  And there is no Visible Idea of depth considered as a funnel because a sensible Line cannot contain an infinite number of parts.

A Berkeleyian Idea can never have anything behind it.  Possessing no element of hiddenness, it is all frontal.  “[V]isual appearances are altogether flat”, as George Pitcher puts it.

That there is no Visible Idea of depth means that we cannot see an Object at a distance — at least not strictly speaking, or, as Berkeley would put it, ‘immediately and of itself’.  For on Berkeleyian terms seeing an Object at a distance would surely have to be a combination of the visible Idea that is identical with that Object (say, the visible Moon) plus the visible Idea of depth.  But there is no visible Idea of depth available to combine with the visible Moon.

Speaking for myself, at least, I never currently experience, and do not remember ever experiencing visually, objects that are not at least some quasi-distance from me considered as the critter seeing.  Who knows how I experienced things before I was three, the age at which memories start to become permanent.  But now, at at least, the closest I can come to a visual experience of objects not at a distance (from…?)  occurs when I shut my eyes, and experience after-images floating against a dark ground which I take to be the shadow-side of my eye-lids.  (I take it that I am seeing my eyelids when I visually experience this background because, after all, I do get experience an ocher-ish translucency when light from the sun hits my closed eyelids directly.)  There is no definite distance of the afterimages from the ground behind them.  Nonetheless, behind is a distance concept — it is just that here we are talking about a degenerate case of distance, an infinitely poor cousin of the phenomenon in its full-blown reality.  Likewise, the afterimages are there before me without being any definite distance from … I want to say (fully realizing that I risk sounding like a complete weirdo without the slightest trace of academic respectability) ‘that ground of invisibility that I am qua see-er and that is directly in front of the after-images’.  Pretend for the moment that this ‘ground of invisibility that I am qua see-er’ stuff makes any sense at all or represents anything that can be communicated to a rational person.4  This would make me qua see-er a field, a background to what I experience visually, would make me, myself, a background for my after-images (what a thought!), an instance of what Lawrence Hass is alluding to when he says:

Indeed, the conditioning “background” for a perceptual figure isn’t necessarily behind it, but is often before and around it.

Lawrence Hass, MERLEAU-PONTY’S PHILOSOPHY, Indiana University Press, p. 30


But there before and directly in front of are of course distance concepts, even though these concepts as applied here are degenerate, poor-cousin instances of the real thing.5

So I am myself unable to imagine seeing an object that is not at some sort of at least quasi-distance (from me as field of invisibility in front of the after-images?).  Nonetheless, I have encountered someplace without currently being able to dig it up again, an account of a young (Asian) Indian person who regained sight after having  been blind from birth.  This person described, if I remember correctly, their vision as being like touch (a sense they would be more familiar with obviously than sight) in that (to paraphrase from memory) ‘there is no distance between me and what I see’.  Clearly, the fact that I cannot imagine this does not preclude this from being a fully accurate description of what this person experiences.  Quite possibly, then, there may be unusual, degenerate cases of visual experience that match what Berkeley takes to be proper to vision taken by itself:  i.e., visual experience of flat after-image-like patches with no depth at all (and no sense of solidity or resistance at all, if I may throw this in here now…see Berkeley’s paragraphs L and LI below) and at no sensed distance at all — not even a quasi-distance — from the experiencer.

In the normal, usual, non-degenerate case, of course, we normally do have quite a strong, powerful sensation of depth when we open our eyes.  And Berkeley would even say that there is a (weak) sense in which we do see depth then.  For in normal vision the visible Ideas suggest and are associated with Tangible Ideas, including Ideas of the body’s possible motion.  These, Berkeley argues, are so entwined with and entangled with Ideas of Sight that it is difficult to distinguish the two.  But distinguish them one can, Berkeley think, provided one gives the endeavor sufficient effort, attention, and “narrowness”.  One will then see, Berkeley is persuaded, that “. . .neither Distance, nor things placed at a Distance are themselves, or their Ideas, truly perceived by Sight” (A NEW THEORY OF VISION, paragraph XLV).  If one can be said to see Distance, or Objects placed at a Distance, it is only in the sense that through the Idea of Sight we can get to the Tangible Idea of depth.  One “mediately” sees depth in this sense — and we still call it ‘seeing’ depth because the effort to separate out the visual Idea from the Tangible Idea is so great that out of laziness and lack of ambition we label the Visual/Tactile combination with the name ‘Idea of Sight.’  Immediately, truly, and of itself, however, we do not see depth.

But as they say so often on the InterWebs, read the whole thing yourself:

L.  In order therefore to treat accurately and unconfusedly of Vision, we must bear in mind, that there are two Sorts of Objects apprehended by the Eye, the one primarily and immediately, the other secondarily and by Intervention of the former [mediately].  Those of the first sort neither are, nor appear to be without the Mind, or at any Distance off:  they may indeed grow greater, or smaller, more confused, or more clear, or more faint, but they do not, cannot approach or recede from us.  Whenever we say an Object is at a Distance, whenever we say it draws near, or goes farther off, we must always mean it of the latter sort, which properly belong to Touch, and are not so truly perceived, as suggested by the Eye in like manner as Thoughts by the Ear.

LI.  No sooner do we hear the Words of a familiar Language pronounced in our Ears, but the Ideas corresponding thereto present themselves to our Minds:  in the very same Instant the Sound and the Meaning enter the Understanding.  So closely are they united, that it is not in our Power to keep out the one, except we exclude the other also.  We even act in all respects so if we heard the very Thoughts themselves.  So likewise the secondary Objects, or those which are only suggested by Sight, do often more strongly affect us, and are more regarded than the proper Objects of that Sense; along with which they enter into the Mind, and with which they have a far more strict Connexion, than Ideas have with Words.  Hence it is, we find it so difficult to discriminate between the immediate and mediate Objects of Sight, and are so prone to attribute to the former, what belongs only to the latter.  They are, as it were, most closely twisted, blended, and incorporated together.  And the Prejudice is confirmed and riveted in our Thoughts by a long Tract of Time, by the use of Language, and want of Reflection.  However, I believe any one that shall attentively consider what we have already said, and shall say upon this Subject before we have done, (especially if he pursue it in his own Thoughts) may be able to deliver himself from that Prejudice.  Sure I am it is worth some Attention, to whoever would understand the true Nature of Vision.

A NEW THEORY OF VISION, paragraphs (of course) L and LI.  Emphasis mine.


As I continue in this project, I will have a great deal to say in a Merleau-Pontyian framework about the “Ideas” of Sight and Touch getting closely twisted, blended, and incorporated together in such a way as to generate, not just our perception of depth, but our opening out onto the brave new extra-mental world outside our skulls . . . this world so full of extraordinary things such as bark whose roughness and hardness we can see, silk whose smoothness we can see, glass whose brittleness we can see, the doorknob whose hard metallic coolness we can see, the Maple syrup whose viscosity we can see, the linen whose dryness we can see from a certain fold in it, the little mound of yellow ocher oil paint whose essential gookiness we can see, and the carpet with that peculiar woolly red.  Not to mention the bungee cord regaling our senses with that bright chemical polyester green.



Today’s homage to Plato’s SYMPOSIUM is Taylor Lautner.


Now if only a werewolf that hot were longing for me in feverish desperation, I wouldn’t mind that much the problems this would cause.  (For example, what would I do with my James Dean-like vampire boyfriend Edward?)










Let me define ‘foil’ here as ‘a person or thing that contrasts with and so emphasizes and enhances the understandability of another’.


Henceforth, following Stephen Priest, I will refer to the phenomenon discussed in the paper as the ‘ekstasis‘.


3 If I may be permitted a certain amount of snark, I will entertain the possibility that these four different possible meanings of the word ‘Line’ followed one another in a kind of tag game in Berkeley’s mind so quickly that he failed to distinguish between them.


4 Fine, I’ve laid out what I actually think. So sue me. I fully expect to forever lose any chance at all of gaining any academic respectability — even more so than if I were an artist. (I am 9/10 joking, of course, as may be evident.)


5 Interesting that visual ground/background concepts should be so closely tied to distance/depth concepts.










From 09/19/2015 to 10/25/2015:  Made numerous changes.

11/01/2015:  Added paragraphs attempting to articulate the possibility that there are unusual cases of visual experience, among some formerly blind people who have regained sight, which may involve no sensation of distance at all — not even of degenerate, poor-cousin sensations of distance.

11/07/2015:  Added a discussion of the various possible meanings of the word ‘Line’ in Berkeley’s Paragraph II.

11/08/2015:  Revised the discussion of the notion that a sensible Extension cannot be infinitely Divisible.

Re-Igniting An Old Flame

A few weeks ago my interest in the French Philosopher Maurice Merleau-Ponty (1908-1961) suddenly got re-ignited upon finding out that a paper I published in a previous life (THE CONCEPT OF THE ECSTASIS, Journal Of The British Society For Phenomenology, 14(1):  79-90, 1983) actually got listed in the bibliography of Stephen Priest’s MERLEAU-PONTY:  THE ARGUMENTS OF THE PHILOSOPHERS.

The sudden explosion of this renewed interest is a bit like the result of throwing a lighted match on a bunch of rags soaked in gasoline.  In its heat, I’ve decided to start a new category of blog posts comprising an attempt to gain a deeper, fuller understanding of the topic of that paper.  What positions stated in the paper do I still hold?  What positions must I mark to market?  (<yes I am being ironic>Doubtlessly none — surely my paper is sacred text.</yes I am being ironic>) What can be stated more clearly, argued for more carefully?  Doing this kind of thing is what blogs are ideal for:

…you can work around the edges of an idea over days and weeks and months [and years] and really   come to understand it. It’s this process that blogging does better than pretty much any other medium.

Anil Dash On Blogging


The topic of my paper is, essentially:

The question concerning corporeity connects also with Merleau-Ponty’s reflections on space (l’espace) and the primacy of the dimension of depth (la profondeur) as implied in the notion of being in the world (être au monde; to echo Heidegger’s In-der-Welt-sein) and of one’s own body (le corps propre).

Wikipedia Article On Maurice Merleau-Ponty


So in the months and years to come I will be re-reading, working through, and blogging on Merleau-Ponty (THE PHENOMENOLOGY OF PERCEPTION, THE VISIBLE AND INVISIBLE, and other works) in order to really come to understand, truly get my head around, get a maximal grasp of this notion of ‘the primacy of the dimension of depth as implied in the notion of being in the world and of one’s own body.’  As part of this effort, I will be re-reading and blogging on George Berkeley’s works as well, which, partly as foil, partly in a kind of concurrence, shed light in an interesting way on Merleau-Ponty.

These efforts will fall under the category ‘Primacy Of The Dimension Of Depth.’

Of course, I am far from having finished the other two main categories I have been working on in this blog, to wit: ‘The Argument That Tagalog Lacks A Subject’ (a thread inspired largely by Paz Buenaventura Naylor’s article), and ‘Material Implication And Information Theory’ (inspired largely by Fred Dretske’s KNOWLEDGE AND THE FLOW OF INFORMATION and by Edwin D. Mares’ RELEVANT LOGIC).  I intend to continue working on these threads at the same time that I am re-igniting an old flame, my crush on Merleau-Ponty.




If I bore anyone, tough.  You don’t have to read these incoherent/semi-incoherent ramblings.  I am writing largely in order to learn, to get as much clarity as I can in my own head regarding these topics.

Of course, it would be nice if someone else were interested in them, and, even better yet, had something useful and interesting to say about them, whether in disagreement or agreement with me.

It would also be nice if Ashton Kutcher gave me a call.




(No post even touching on philosophy would be completed without an homage to Plato’s SYMPOSIUM.)  I wonder if Alkibiades was as gorgeous.